Music’s like a long train. Some people got on at the beginning of the line. Others join it later. They can explore the rest of the carriages but their experience of the journey will not be the same as the people who got on earlier. The passengers who’ve been there longest may point out that the train is going round in circles and has passed certain landmarks before. The newer passengers don’t care. It’s new to them. In fact they might get excited about a station which they previously passed through without comment. Their view of the journey is a different one.

David Hepworth nails it. It’s important to remember that your viewpoint on anything is just that - yours. If everyone was a thirty year old man working on a music magazine, we’d all be screwed. I’m well boring. (via stephenackroyd)

This is pertinent on many campaigns now, the track we start online with may well end up coming back to us months later, how do we excite those people again and how is relevance retained. Icona Pop’s ‘I Love It’ is a great example of a song hitting online then finally getting radio and chart positions a year on. But to the original point - absolutely and this highlights how fragmented UK media now is when it comes to discovery

Reblogged from stephenackroyd

The Neighbourhood dropped a new track last night, it’s called ‘West Coast’. In BC and the NBHD we have two seriously inlove with Cali bands eh.

The Neighbourhood dropped a new track last night, it’s called ‘West Coast’. In BC and the NBHD we have two seriously inlove with Cali bands eh.

Just heard the finished version of this. It’s incredible.

Hi It’s James! I’m on a panel at The Great Escape tomorrow with some brilliant chaps, 13.45 at the Komedia, info below: 

Where Blogs Fit InPANEL: Hitting the right music blogs at the right time is now a key part of any music PR strategy, but to what end? Are blogs competing for audience head-on with music magazines or do they satisfy the media needs of a more niche audience of core music consumers? How can management work with blogs to ensure that coverage fits with an artist’s overall ‘narrative’, and how does that coverage inform early adopters and decision makers in the industry? Panelists: James Penycate (Ooh Brilliant), Jon Hillcock, Olly Hodgson (Coda), Paul Bridgewater (Line Of Best Fit). Moderator: Sam Taylor (CMU).

Hi It’s James! I’m on a panel at The Great Escape tomorrow with some brilliant chaps, 13.45 at the Komedia, info below:

Where Blogs Fit In
PANEL: Hitting the right music blogs at the right time is now a key part of any music PR strategy, but to what end? Are blogs competing for audience head-on with music magazines or do they satisfy the media needs of a more niche audience of core music consumers? How can management work with blogs to ensure that coverage fits with an artist’s overall ‘narrative’, and how does that coverage inform early adopters and decision makers in the industry? Panelists: James Penycate (Ooh Brilliant), Jon Hillcock, Olly Hodgson (Coda), Paul Bridgewater (Line Of Best Fit). Moderator: Sam Taylor (CMU).

We literally were just in the studio this week actually. We still need to do the vocals, but we’ve been working on six new songs. Depending on how the finished things pan out, we’re either going to put out a single or an EP. I think in June or July.

Russell Lissack. Interview Here (via thisisblocparty)

Reblogged from thisisblocparty

Here’s The Neighbourhood on Carson Daly.